- #Stylus rmx ableton forum how to#
- #Stylus rmx ableton forum mod#
- #Stylus rmx ableton forum update#
- #Stylus rmx ableton forum software#
There are alot of ways to do things which is very cool. Yes, I've just started going through the videos. On a different note, have you checked out GURU? (The above comment applies there too btw.) So for anyone out there who has RMX but has not taken the time to go through the tutorial videos on the disk and site, STOP WHATEVER YOU ARE DOING AND GO THROUGH THEM NOW!!! L:-) Up until that time I had been doing all of the "obvious stuff" - layering, a few tweaks to timing or effects, maybe a little chaos designer here and there - but that doesn't even scratch the surface. THEN I started to get a peek of the potential of that thing. Seriously, it took me about three months to get around to going through all of Persing's video tutorials. Gnapier wrote:RMX has a high "instant gratification" factor that really hides what you can do with it if (like me) you sometimes get lazy with your instruments. The 8 gig Loop and Sample library that comes with it is fantastic but I find myself wanting to by a few of the SAGE Expanders for the more clean drum sounds, more tonal elements and different time signatures.
#Stylus rmx ableton forum software#
You really can live mix with this software but the pause that occurs when switching sounds and sample banks limits things some what. Stylus is so vast that I've stopped worrying about using the session view in Ableton. Now I'm going for more minimal more hard hitting grooves. I find that I need another BCR to fully take advantage of all the useful parameters!Īt first I was going for very complex very trippy grooves, some with polyrhythms. I use the BCR 2000 with a modified version of the BCR template that came with RMX. Can you midi map the mute and solo buttons on the Edit Groups? That would make things easier. Edit groups are amazing but I tend to live mix with rmx for my drum tracks and the edit groups tend to complicate things. Reckon it will take me a little while to get my head around it, but so far it seems like a keeper.Īlthough it has also made me appreciate the Octatrack even more, I definitely do not see them as replacements for each other, although the SP-16 kills the OT on some things, on other things the OT wins.I've been going crazy with RMX for the past 3 months and I'm still learning.
#Stylus rmx ableton forum mod#
Definitely light on mod sources though, and it is daft that filter is considered an effect, however the bitcrusher has its own pre or post filter and it sounded pretty sweet too. One thing that Elektron spoils us with is the direct parametric control via sequence steps and parameter pages, but they could learn a trick from Pioneer about screen and graphics, it looks really nice and the visual representation of the LFO for example is superb. Love some of the sequencer functions like step offset, and the simple manner in which steps or bars can be moved back or forewards on the grid are great, parameter lock seems very simple.
#Stylus rmx ableton forum how to#
Could not seem to find out how to copy a step or pattern (didn’t RTFM yet) not even sure if it is possible, some of the UI seems a bit odd, like being able to assign user modes for touchstrip to parameters that may not even be relevant to the track, again though might be me not understanding it. I was expecting it to be both a bit easier to use and not quite as well featured, but I only had about 2 hours with it so far.
#Stylus rmx ableton forum update#
Well the Toraiz arrived a few hours ago, I had to update it to 1.4 as it was on 1.3, then for some reason some of the factory samples were not loadable due to wrong file type(?) WTF! Anyway I wasn’t intending on using them so no biggie but kind of odd, could not see anyway of deleting them though, weird.Īnyway loaded up some of my own samples and was certainly impressed with the sound, lots of headroom and a very nice tone, I reckon it must have a decent output stage, wasn’t instantly blown away by the DSI filter but I didn’t mess with it too much yet, had a quick listen to some of the fx and some of them sounded really nice the distortion/overdrive blew my mind, plenty of parameters gave it a massive range which I did not expect at all.